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Британская высшая школа дизайна с 2003 года специализируется на профессиональном образовании в творческой и бизнес-индустриях, ставя своей задачей формирование поколения прогрессивных творческих профессионалов.
Благодаря партнёрским связям с университетом Хартфордшира (Великобритания), студенты бакалавриата получают диплом международного образца.
Взаимодействие с одним из ведущих университетов Великобритании осуществляется в рамках сотрудничества с факультетом креативных и культурных индустрий School of Creative Arts (по направлениям «искусство» и «дизайн») и факультетом бизнеса Hertfordshire Business School (по направлениям «маркетинг» и «реклама»).
Количество изданий в фонде: 25
London International Awards.LIA. 27 years celebrating the power of ideas — 2012
—Courage is what it takes to stand up and speak; courage is also what it takes to sit down and listen.— Familiar words? Those were the words spoken by the late great Winston Churchill. And that is what the LIA Junior —Creative Conversations— is truly about. Let—s face it. Most junior creative people are in awe of the greats of the industry. Sweaty palms, dry throat and general loss of voice would usually be the tell-tale symptoms when they are in the presence of a much-admired luminary. But imagine if you could talk with these creative gurus as peers. No pressure, no topic is out of bounds and it need not be confined to merely advertising. Contrary to what some people in the industry may think, there is a world beyond advertising. That is how the idea for the LIA —Creative Conversations— came about. It began with a conversation one afternoon, over drinks. I broached the subject with several of the world—s top creative directors — very casually, sans sweaty palms or stammering speech.
Introducing: Visual Identities for Small Businesses — 2012
Today, many young people who have studied or trained in creative fields would rather work with their hands or have direct contact with their clients than sit at a desk in a large design office. These creatives are founding their own small companies all over the world storefronts and other locations with a uniquely individual character that often serve simultaneously as an office, workshop, warehouse, and local meeting point for like-minded people. Whether florists, butchers, or yoga studios, these small businesses need a customized visual identity that can adequately capture and represent their particular dynamic. Introducing: Visual Identities for Small Businesses is a compilation of intelligent corporate designs for small, creative companies. The book showcases innovative work that captures the imagination with which their founders pursue and communicate their business concepts. The featured examples reflect the full spectrum of today s most important design trends from minimalism and classic modernism to styles that range from retro and letterpress-nostalgic to playful and surreal. All of the included work makes clear that intriguing visual concepts do not depend on a large budget. It is a testament to the fact that certain limitations can be beneficial to coming up with original and effectively executed creative ideas. The selection of projects in Introducing: Visual Identities for Small Businesses is neither limited to a certain branch of business, nor to particular media. The diverse examples include a small run of pastel-colored stationery for a nursery, the hand-set business cards of a typographer, as well as the shop design and chalk-written price list of a small-town pastry shop. What thematically unites the work in the book is the fresh attitude and the personal, proactive approach of the founders on which it is based.
Detail in contemporary lighting design (+ 1 CD) — 2012
Lighting is a key feature of almost all interiors but it is often treated in a rather superficial manner in most books. This volume features more than 40 recent international projects where the lighting is the defining design feature. Each project includes detailed plans, diagrams, sketches, and CAD visuals to demonstrate the lighting techniques involved. These are accompanied by an explanatory text that looks at the original brief, the design concept, and the detailed specification of the light fittings. A bonus CD includes technical drawings from the book. This book will be an invaluable resource for professional interior designers and architects in what is a fast-changing field.
Galindo M., Signage Design — 2012
Since signage systems are created to provide orientation, they must be universally legible and understood by people of all ages and culture. Signs must show the way, and also present the proper information at the proper location. By making effective use of graphics, colors and shapes, a signage system helps to create an identity for spaces. Signage Designs showcases a great variety of current examples from across the world, indoor and outdoor, ranging from individual buildings like museums, hospitals and stadiums, to larger contexts like subway systems, town districts or entire cities. This title is an essential reference for designers involved in communications, architects, interior designers and indeed for creative persons in all sectors.
Big brand theory — 2011
Собрание лучших кейсов создания и продвижения брендов от сильнейших игроков рынка позволит легко усвоить ключевые элементы успеха. В книге собраны кейсы таких монстров бизнеса, как Adidas, Colette, Converse, Starbucks, H&M, Nike, Isse Miyake, Lacoste, Levi`s, Thonik, UNIQLO.. Каждый элемент, будь то упаковка или постер, дисплей или одежда, сумка или сувенир, арт-объект или фирменный стиль — рассмотрен тщательно и сопровожден яркой профессиональной иллюстрацией. Таковых на 256 страницах ровно тысяча. Теперь об успехе, его рычагах и инструментах, понятно все, ибо «Теория большого бренда» переводится как «секрет успешного бренда». Все остальное — в ваших руках. Книга поможет в работе бренд-менеджерам, дизайнерам, рекламистам и, безусловно, заказчикам.
Design Week Awards — 2010
To produce work of a quality that impresses your creative peers in what has arguably been the toughest year for design is no mean feat — and the judges haven—t dropped their standards in pursuit of creative excellence to accommodate the downturn in client fortunes. The awards still celebrate great design, appropriate to its purpose, whatever the budget. That so many designers across most disciplines have made it through to the shortlists and beyond bears testament to the resilience of the community and the bloody-mindedness of consultancies and individuals bent on producing the best work, regardless of economic constraints. You will find many familiar names in these pages, awards stalwarts who strive for the best and see the value in entering awards. But there are newcomers too, which enriches the mix year on year.
Nice To Meet You Too. visual greetings from business cards to identity packages — 2010
Another wave of euphoric greets has arrived! A sequel toNice To Meet You Too, the first book of the series on visual greeting designs, Nice To Meet You Too encapsulates the new perspectives and values that young designers have brought forward to present identity in today—s business card and visual identity designs.
Sherwin D., Creative Workshop — 80 Challenges to Sharpen Your Design Skills (Paperback) — 2010
Have you ever struggled to complete a design project on time? Or felt that having a tight deadline stifled your capacity for maximum creativity? If so, then this book is for you. Within these pages, you’ll find 80 creative challenges that will help you achieve a breadth of stronger design solutions, in various media, within any set time period. Exercises range from creating a typeface in an hour to designing a paper robot in an afternoon to designing web pages and other interactive experiences. Each exercise includes compelling visual solutions from other designers and background stories to help you increase your capacity to innovate. «Creative Workshop» also includes useful brainstorming techniques and wisdom from some of today’s top designers. By road-testing these techniques as you attempt each challenge, you’ll find new and more effective ways to solve tough design problems and bring your solutions to vibrant life.
Graphics And Space — 2010
When monochromatic and dull repeated patterns no longer satisfy our visual hunger, designers use graphics to transform otherwise cold spaces into works of art. From retail shops to restaurants, museums to offices, this book focuses on the graphics of spaces — the effective use of furniture, wallpaper, lighting, carpet and more. Curated case studies from designers around the world show that even windows can become graphics whether they have designs painted on the glass, or if the glass itself has been shaped into a graphical element. Designers everywhere can find inspiration, whether in the use of negative space to create shapes, or the carving of walls to form images such as the dark silhouette of a face. Graphic and interior designers alike will learn how graphics can be futuristic or naturalistic, and serve different purposes, whether to add beauty and calm to a room or fun to an otherwise dull environment. This unique visual feast showcases designers from around the world.
Design Week Awards — 2009
The most successful businesses not only create great work but know how to manage their ream and charge for their time and consumables. Streamtime is a total studio managment system, designed for the creative industry. Whether supporting a company of two or a multi-site organisation of hundreds, Streamtime enables complete traffic and production managment, signaling an end to manual job bags, hand-generatd inwoices and timesheets. From the client managers, to the finance team and designers, Streamtime maximises your workflow, taking productivity and profitability to new levels. Get started now! With our new monthly rental plan, it is never been easier to take advantage of Streamtime—s features for your studio.
Krauel J., Trade Show Design — 2008
This book encompasses a wide selection of trade show stands, realized by the outstanding international architects and designers, who have transformed this extraordinary facer of retail design into a fully-fledged art. Each one of the projects included in this volume has been carefully chosen according to a criterion of originality, creativity and innovation. Full-color glossy photographs, rigorous graphic documentation, and explanations by the authors themselves accompany those selected. AII of which, added to the complete follow-up of how the design process developed, makes this work a necessary and exciting tool for architects, designers and students, as well as for all professionals wishing to extend their knowledge in the field of retail space design and the architecture of trade show stands
Evamy M., Logo Laurence King — 2007
The logo bible, this book provides graphic designers with an indispensable reference source for contemporary logo design. More than 1300 logos are grouped according to their focal form, symbol, and graphic associations into 75 categories such as crosses, stars, crowns, animals, people, handwritten, illustrative type, etc. To emphasize the visual form of the logos, they are shown predominantly in black and white. By sorting a vast, international array of current logotypes ranging from those of small, design-led businesses to global brands the book offers design consultancies a ready resource to draw on in the research phase of identity projects. Logos are also indexed alphabetically by name of company/designer and by industrial sector, making it easy to piece together a picture of the state of the identity art in any client’s marketplace.
Unique Packaging — 2007
The exterior of a product is more attractive and striking than the product it houses. Unique Packaging, a highly visual sourcebook, shows the contemporary work of important international package designers. Including a wide variety of packaging—from food and drink to music and films—this volume explores the most successful ideas from designers who have put forth innovative creations, and details the complete process for creating high-impact packaging.
Super Premium: extraordinary premium for brand promotion. — 2007
Welcome to the biggest and best ideas on special gift packages for your best customers. World renowned designers unveil their approach from goals and challenges, through process and design, to arrive at the most uniquely applicable gift ideas imaginable. A brand image, an artful object, an original souvenir for a special occasion — this is the definitive guide when it comes to expressing concepts, themes and attitudes in a single precious object. Super Premium offers an extensive showcase of these exclusive souvenirs, each and every limited edition and object that you will not easily forget. With some of the world—s cutting-edge brands such as Diesel, I-D Magzine, Hello Kitty, Vivienne Westwood, Uniqlo, and Louis Vuitton enlisting top notch designers the resulting commissions are aptly effective, unique and beautiful.
Mason D., Materials, Process, Print. Creative Ideas For Graphic Design — 2007
There is currently an enormous wealth of materials and of print manufacturing processes available to designers. These opportunities are rarely fully explored, whether from a lack of knowledge, or from a belief that they will be too costly, to complicated, or too time consuming. Materials, Process, Print explores these diverse possibilities, providing insights into how they can be stretched, skewed and subverted to produce original results. In depth analysis of specific materials and of key print and manufacturing processes is combined with a series of case studies showing innovative practice from major international studios at the cutting edge of design. Functioning as a handbook for reference and a highly illustrated source of ideas and creative solutions, this book suggests fresh approaches and new ways of thinking for designers working in graphic design and packaging, and will also be of interest to product designers and anyone who commissions design in these fields.
Type Addicted: The New Trend of A to Z Typo-Graphics — 2007
Type Addicted not only presents a rich selection of experimental and inspirational typefaces and their applications, it also reveals the diversity of innovative approaches used by contemporary designers to set tone, add impact, reinforce brand identity, and lend character to print and design work in various disciplines. Solutions to any type of dilemma are sure to be discovered among the pages. Examples include work by up and coming names as well as renowned icons from around the world.
The Annual of Annuals: Best of European Design and Advertising — 2005
ADC*E unites the leading advertising and design Clubs/ Associations and xreatives across Europe. On Saterday 9th Juiy, 2005, a jiry over 50 top European creatives chaired by ADC*E President Johannes Newrkla and honourable ADC*E member Michael Conrad, met at the FAD building, the centre of creativity in Barcelona, and judged over 800 Gold, Silver and other awarded pieces of work in 19 categories from 18 countries across Europe. After a long and rewarding day the jury nominated 83 pieces of work. Of these 14 Gold`s were awarded across the different categories and the overall Grand Prix Award, Europe`s top creative honour, went to Portugal
Packaging parade 01: the happy books design series vol.1 packaging parade a showcase of package designs from Italy and Europe — 2004
As is know, what is essentai is invisible to the eye. Yet, it is, however, true that eyes exist and expect to obtain their portion of light. Seeing is the door to imagining; Imagining is the key to desire. Creating packaging is, on every level, paving a road to a dream, exciting the heart and reason. Packaging impresses the eye, entices the ears, tickles the hands, invades the nose, and, often, summons the mouth. It is a channel of communication, which stimulates all the senses. An appealing garment. A promise of gratification, which is wasted during the moment of pleasure when, once the pack is removed, the protagonist of the senses. To all intents and purposes, we can define packaging as an integral parn of our daily lives.
London International Awards. winners & finalists — 2004
This year has proven to be a year filled with many wonderful surprises including an increase in the number of entries from around the world. The global nature of creative excellence was clearly evidenced in this year’s Grand Prize Winners. The Grand Prize Winner for Design was from Sweden. Two Grand Prizes were awarded to Japan for Interactive — Website and Outdoor. Also winning two Grand Prizes for Package Design and Television/Cinema was the United Kingdom. The Print Grand Prize was awarded to Germany and the Radio Grand Prize to the United States. It is our distinguished Jury Presidents who have the daunting task of choosing the Grand Prize recipients from among the category winners. We are deeply indebted to this year’s Jury Presidents Alex Bogusky, Frederic Sanz and Bruce Duckworth, who brought both great skill and great enthusiasm to their roles. It is also a pleasure to recognize our worldwide group of Representatives who worked so hard throughout the year. And I would be remiss if I didn’t acknowledge our New York and London based staff who work year-round to bring you these Awards. Our biggest thanks must go to the extraordinary talented entrants from around the globe whose work shows us new ways in which to view our world. Whether you attended the Awards Ceremonies or are just enjoying this Annual, I hope you come away as inspired by the creativity as I have. 2005 will mark our 20th year and promises to be our biggest and best year yet.
Huisman R., Dutch Design 2004/2005 — 2004
Dit boek is 66n van de twee delen van Dutch Design 2004/2005. een uitgave van Uitgeverij Bis en Beroepsorganisatie Nederlandse Ontwerpers. De boeken zijn afzonderlijk maar, ook als set verkrijgbaar. Эта книга является 66-й из двух томов журнала Dutch Design 2004/2005.